Lyrical abstraction in the oil paintings of Vassily Kandinsky

Initially trained in law and economics, Vassily Vassilievitch Kandinsky abandons a promising academic career to devote himself to painting in Germany. This creator of Russian origin traverses a period of profound intellectual and scientific upheavals at the beginning of the twentieth century. His path gradually distances him from traditional figuration to lead him towards unprecedented spiritual and theoretical research. He is widely recognized by historians as one of the fundamental initiators of abstract art.

The evolution of his pictorial language relies on a synesthesia where colors and forms resonate with music. His technique, rooted in lyrical expressionism, morphs into geometric abstraction after his integration into the Bauhaus. The artist's palette is organized around dynamic contrasts, as illustrated by the canvas “Yellow Red Blue”. His compositions forsake perspective to favor a multidimensional space. Through “Composition VIII”, he deploys a complex vocabulary of lines of force. The artwork “Dominant Curve” demonstrates his ability to orchestrate light through mere chromatic interaction, without an objective referential.

His theoretical writings, particularly on the spiritual dimension of creation, radically transform the understanding of modern aesthetics. His non-objective approach paves the way for multiple contemporary artistic currents, from abstract expressionism to minimalism. He thus participates decisively in the evolution of visual perception.

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