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This 1918 portrait is an example of Juan Gris’s synthetic cubism. The man is depicted with simplified geometric shapes. The color palette is sober, with browns, grays, blacks, and blues. The composition is a play of overlapping planes, creating a sense of depth. The newspaper "LE JOUR" is a recurring element in Gris’s work. It is a portrait that combines the rigor of Cubist construction with a certain human presence. The man, although deconstructed, retains his identity and dignity.
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