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This 1913 still life shows Derain’s assimilation of Cubism. The composition is highly structured, almost austere. The objects—pitchers, bowls—are reduced to their essential geometric forms. The palette is sober, dominated by grays, blacks, and browns, enhanced by the red of the curtain and the blue of the window. Here, Derain explores the relationship between objects and space in an intellectual and rigorous vein that strongly contrasts with the exuberance of his Fauvist works.
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