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In this interpretation of the mythological theme of the Three Graces, Derain uses watercolor with remarkable spontaneity and lightness. The three nude figures are sketched with fluid lines and transparent washes of color. The composition is airy, allowing the white of the paper to play an essential role. It is a joyful and decorative vision of antiquity, typical of the Fauves’ interest in Arcadian themes, treated with complete freedom and modernity.
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