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This 1925 portrait is an example of the more classical and calm style of the end of Juan Gris’s career. The woman is depicted more realistically, although the shapes are still simplified. She holds an open book, her gaze is thoughtful and melancholic. The color palette is soft, with blues, browns, and grays that create an intimate atmosphere. The light, coming from the window, gently illuminates the woman’s face and hands. It is a work of great poetry, which shows a Gris more interested in emotion and psychology than in the mere deconstruction of form.
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