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This version of “Two Dancers” presents the same subject as the previous version, but in a wider, almost panoramic format. The two resting ballerinas are positioned similarly on the wooden floor. This different framing changes the perception of space, giving more breadth to the rehearsal room. The focus remains on the realistic postures and the effort of the dancers. By exploring the same theme with varied framings, Degas acts like a film director, seeking the best angle to tell his story and capture the truth of the moment.
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