Two Studies of a Standing Indian by Eugène Delacroix

The innovative interest in preparatory studies and portraits from elsewhere is fully expressed through the remarkable work “Two Studies of an Indian from Calcutta Standing” created by Eugène Delacroix. This painting shows the artist’s desire to capture the anatomical and sartorial truth of foreign models from multiple angles. This novel approach heralds modern realism while retaining the chromatic intensity and sensitivity specific to French Romanticism.

On a textured background of ochre and grey, the work presents two studies of the same standing man in opposite directions. On the left, the character is depicted facing forward, wearing a dark coat over a bright red collar, completed by a draped white belt. A golden scarf crosses his chest while he wears a red hat. On the right, the man is painted from behind, revealing the pleats of his jacket, his striped grey trousers, and the curve of his posture. A bright red spot floats curiously in the upper right corner of the decor. The raking light highlights the dignity and presence of this double silhouette.

Delacroix shows impressive dexterity in handling oil paint by using quick and energetic strokes. His ability to capture physical posture and the contrasting textures of fabrics demonstrates first-rate craftsmanship, making each study incredibly alive and full of character.