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In this other view of Cagnes, Derain pushes the simplification of forms even further, in a Cubist vein. The houses are reduced to geometric volumes, yellow and orange cubes with red roofs. The landscape is more a construction of the mind than a description. The sunlight seems to flatten the volumes and exalt the warm colors. It is a work that testifies to Derain’s exploration of the early-century avant-gardes.
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